the image maker: Thomas Hoepker

Wednesday: Photographic Art

Thomas Hoepker

“I am not an artist. I am an image maker”.

Thomas Hoepker, 1966 USA. Muhammad Ali, (formerly Cassius Clay), boxing world heavy weight champion in Chicago, jumping from a bridge over the Chicago River

Thomas Hoepker, 1966 Chicago, USA. Muhammad Ali’s right

Thomas Hoepker is one of the most acclaimed Magnum photographers. His pictures of heavyweight champion Muhammad Ali, his shots from the USA in the 1960s, as well as newer photos like the one he took in New York on September 11, 2001, have become emblematic. Hoepker has been using Leica cameras ever since he started working as a photo journalist for renowned magazines.

Germany, Berlin, 1963. Children playing at the Berlin Wall in Berlin Wedding

East Germany, East Berlin 1975. Mass housing for workers in Weissensee district (Plattenbau) with a demonstration of FDJ youth passing by

USA, New York, NY, September 11, 2001. View from Brooklyn/Williamsburg towards Brroklyn Bridge and downtown Manhattan during aftermath of World Trade Center bombing

German, b. 1936

Thomas Hoepker first began taking pictures when he was 16 and received an old 9×12 glass plate camera from his grandfather. He developed his prints in his family’s kitchen and bathroom, and began to earn a little money by selling pictures to friends and classmates. Hoepker studied art history and archeology, then worked as a photographer for Münchner Illustrierte and Kristall between 1960 and 1963, reporting from all over the world. He joined Stern magazine as a photo-reporter in 1964.

Magnum began to distribute Hoepker’s archive photographs in 1964. He worked as cameraman and producer of documentary films for German television in 1972, and from 1974 collaborated with his wife, the journalist Eva Windmoeller, first in East Germany and then in New York, where they moved to work as correspondents for Stern in 1976. From 1978 to 1981 Hoepker was director of photography for the American edition of Geo.

Hoepker worked as art director for Stern in Hamburg between 1987 and 1989, when he became a full member of Magnum. Specializing in reportage and stylish color features, he received the prestigious Kulturpreis of the Deutsche Gesellschaft für Photographie in 1968. Among many other awards for his work, he received one in 1999 from the German Ministry of Foreign Aid for Death in a Cornfield, a TV film on Guatemala. Today Hoepker lives in New York. He shoots and produces TV documentaries together with his second wife Christine Kruchen. He was president of Magnum Photos from 2003 to 2006. A retrospective exhibition, showing 230 images from fifty years of work, toured Germany and other parts of Europe in 2007.


One thought on “the image maker: Thomas Hoepker

  1. Pingback: Hoy en el Mundo: 26 de Junio | BLOQUE CULTURAL

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